William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture, most famously in the book Naked Lunch.
“Beginning
of the Beats”
William
Seward Burroughs
a
film by Thanasis Panou
based
on the writings
of
William S. Burroughs
William
Seward Burroughs
February
5, 1914 – August 2, 1997)
was an American novelist, short story writer,
satirist, essayist, painter, and spoken word performer. Burroughs was a primary
figure of the Beat Generation and a major postmodernist author who wrote in the
paranoid fiction genre, and his influence is considered to have affected a
range of popular culture as well as literature. Burroughs wrote eighteen novels
and novellas, six collections of short stories and four collections of essays.
Five books have been published of his interviews and correspondences. He also
collaborated on projects and recordings with numerous performers and musicians,
and made many appearances in films.
(Writer, philosopher, artist, and co-founder of the
Beat Generation, William S. Burroughs — who died in 1997 at the age of 83 —
continues to be a vital cultural force today. The author of books like Junky,
Queer, and Naked Lunch, Burroughs forged the cornerstone of a modern American
cultural movement with Jack Kerouac, Allen Ginsberg, and other visionary
writers and artists. His buttoned-up, three-piece exterior cloaked a dark
genius that hungered for hustlers and heroin — way back in the 1940s. On
February 5, William S. Burroughs would have been 97, but his spirit undoubtedly
lives on, with more about him still coming out.)
Writing
'Junky' and 'Naked Lunch'
Burroughs
published his first novel, Junky, in 1953 under the name William Lee. The work
featured an unflinching, semi-autobiographical look at drug, or
"junk," culture. He continued to travel and eventually ended up in
Tangiers, strung out and running out of financial resources. He realized he
would perish if he didn’t change his path and so traveled to London to receive
apomorphine treatments, which he credits as curing his addiction.
With
the help of Ginsberg and Kerouac, Burroughs wrote the novel Naked Lunch in
Tangier, which continued to follow the exploits of William Lee in a disturbing
drug culture journey. The book featured nonlinear narrative forms with elements
of sadomasochism, metamorphoses and satire. Published in 1959, the book
wouldn’t be released in the U.S. until the 1960s due to a highly publicized
governmental ban over its content, which pushed Burroughs into the spotlight.
He became a figure both acclaimed and spurned.
Around
the time of Lunch's release, inspired by artist Brion Gysin, Burroughs began to
experiment with the cut-up technique, where random lines of text were cut from
a page and rearranged to form new sentences, with the intention of freeing
reader's minds from conventional, linear modes of thought. Using this technique
with elements of satire and sci-fi, the '60s saw Burroughs releasing novels
like The Soft Machine (1961) and Nova Express (1964), which indicted
consumerism and social repression, and the nonfiction work The Yage Letters
(1963).
Musical
Influence
Burroughs
played with audio cut-ups as well via tape recordings. He released his first
album in 1965, Call Me Burroughs, which featured his readings of text from
Naked Lunch and The Soft Machine. Burroughs not only made waves in the literary
world but became a huge influence for many musical artists of the day. The acts
Soft Machine and Steely Dan took their names from the writer’s work and
Burroughs went on to collaborate with artists of the avant-garde like Laurie
Anderson, Sonic Youth and Genesis P-Orridge.
Burroughs
continued his literary pursuits as well in the early ‘70s, publishing The Wild
Boys: A Book of the Dead (1971) and Exterminator! (1973) and penning a
screenplay, The Last Words of Dutch Schulz. By the end of the decade, he worked
on a book with Gysin that delved into their cut-up philosophy—The Third Mind
(1978).
Burroughs
would face family tragedy yet again as his son Billy Burroughs Jr., also a
writer, succumbed to substance addiction and died from alcohol-related trauma
in 1981.
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